“the ‘means’ [le moyen] is also a means to achieve something other than its own end.” Ranciere, 2012

Miscellaneous / Cora Hillebrand / “the ‘means’ [le moyen] is also a means to achieve something other than its own end.” Ranciere, 2012

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Spam chronique for tsnoK, “Vote”
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Why didn’t Piero Manzoni use my sewing machine?
Piero Manzoni was born on July 13th 1933 and died on February 6th 1963, therefore in 2013 will be the 50th anniversary of his death and the 80th of his birth.

This is a transcription of Piero Manzoni’s Infinite Line with Sewing Machine, a Performance by Elena Berriolo
Plasma
Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood. Blood.
The Coating by Stephen Sarrazin
Bad Romance
Solo Show Pascal Lièvre
Galerie Vanessa Quang, Paris
4 septembre-30 octobre 2010
Spam chronique for tsnok “Calories”
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Problems with how Nature can be interpreted in artistic processes, and what I am working on at the moment
The process is like an octopus sometimes, one of those disgusting octopuses with a big heavy occiput which looks like a cross between a fester and a water-filled balloon. In that head, in the mind, there is either a muscle visible under the skin, or else there aren´t any muscles at all, alternatively withered muscles and a lot of skin.
The rationally unattainable certainty
No one in the audience doubts that he is telling the truth, not even Wittgenstein, who might have been there. But Wittgenstein does not understand why Moore is saying it; he has never heard any one utter that kind of sentence before, so naturally he is a bit puzzled.
SHAMAN FREUD: PASCAL LIEVRE’S TOTEM UND TABU
In his 2010 ‘Bad Romance’ exhibition, Pascal Lievre began using glitter on his paintings.
Portrait of Karl Marx as a young god
Lars-Erik Hjertström Lappalainen on a work by Gernot Wieland

Gernot Wieland’s video Portait of Karl Marx as a young god was on display for the first time at the abc Berlin art fair last fall (2009). After having watched this hardly one minute long work, consisting of filmed drawings and a voice over, I met Wieland for a chat. It evolved into an interview. Below you find exactly what Wieland said, but also how I, having seen his work, understood him. I put it all on his account, though: he is the only one speaking, and sometimes it is just me showing my skills as a ventriloquist.
Spam chronique for tsnoK, ”pill”
BY NATHALIE FOUGERAS, June 2010 So, we built for you and your loved ones. We built a service for video and written messages. We built you a place where you can leave instructions on how to deactivate your social life. If you died tomorrow. Open a account today, because you care about your loved ones, […]

Editors: Lars-Erik Hjertström-Lappalainen, Annika von Hausswolff, Jonatan Habib Engqvist.
Editor in chief: Jonatan Habib Engqvist.

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“the ‘means’ [le moyen] is also a means to achieve something other than its own end.” Ranciere, 2012

Recent contributions in this category

Lars-Erik Hjertström Lappalainen on a work by Gernot Wieland