tsnoK

Recent contributions in this category

• Cykel / Bicycle

  BY LINA PERSSON

  The world shrunk and I could visit my friend in Vänge whenever I wanted to. Places interconnect in new ways. There was a straight path through the forest between Halla and Viklau which was a kilometer shorter than the long route by car. With my bicycle I can easily stop, take a side route and see where the grown-over path leads. Daily commuting is repeated with variations.

• “the ‘means’ [le moyen] is also a means to achieve something other than its own end.” Ranciere, 2012

  http://vimeo.com/56662654…

• The rationally unattainable certainty

  No one in the audience doubts that he is telling the truth, not even Wittgenstein, who might have been there. But Wittgenstein does not understand why Moore is saying it; he has never heard any one utter that kind of sentence before, so naturally he is a bit puzzled.

• Throuwe by Sebastian Rozenberg

  “I admit to being a bit thrown when I saw you yesterday”

• Hypocrite lecteur, mon semblable, mon frère!

  OK, stuff Foucault. We’re talking about Savannah Bob. In this case, the texts have been written in a situation where it was not possible to write without hiding behind a pseudonym. Anonymity is something else.

• Spam chronique for tsnok “Calories”

  No Pumps, No Surgery, No Exercises: 128 bit order processing.

• Art School Odyssey

  BY EVA BJÖRKSTRAND

• UNDO

  Undo: the Real – Losing your consistency with the time passed since the departure. Reading a few fragments, feeding the jellyfish.

• Problems with how Nature can be interpreted in artistic processes, and what I am working on at the moment

  The process is like an octopus sometimes, one of those disgusting octopuses with a big heavy occiput which looks like a cross between a fester and a water-filled balloon. In that head, in the mind, there is either a muscle visible under the skin, or else there aren´t any muscles at all, alternatively withered muscles and a lot of skin.

• A short statement on the predicament of experimental art

  By: Olav Westphalen

  The sophistication it takes to spot the difference between the real thing and the postcard version is rare among contemporary audiences. But a lack of attention needn’t be bad. Some things develop better in the shade.