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• UNDO

  Undo: the Real – Losing your consistency with the time passed since the departure. Reading a few fragments, feeding the jellyfish.

• Arkivgalleriet presenterar Väpnaren

  Väpnare eller vapendragare var i vapentjänst under medeltiden. Vilken bonde som helst kunde avancera till väpnare om han kunde bekosta en stridshäst och vapen beredd att tjäna konungen i strid.

• IASPIS fixade ett nytt kök

  Det märkliga är att Konstnärsnämnden som statlig myndighet inte redovisar för hur de resonerar. Klar står att Pousette är tillsvidareanställd som enhetschef för en odefinierad enhet inom myndigheten från och med maj 2017. Dessutom har han ett 3-årigt förordnande som verksamhetsledare för Iaspis från samma datum. Detta MBL:ades inte.

• ”the ‘means’ [le moyen] is also a means to achieve something other than its own end.” Ranciere, 2012

  (Video)

• It´s Not Easy, Ken Montgomery

  I need more time to give a polished statement about what I do because I am very dedicated to not knowing what I`m doing as a force of sudden creative explosion and as a rebellion to the ”know what you´re doing world”.

• The hypermediate strategy of Sayuri Michima

  The story of Parrhasius and Zeuxis written by Pliny the Elder in the first century AD expresses the most universal attitude towards art among the ancient Greeks and Romans. It’s about a painter called Zeuxis and his contemporary Parrhasius, who stage a contest to determine the greater artist. When Zeuxis unveils his painting of grapes, they appear so real birds fly down to peck at them. But when Zeuxis asks Parrhasius to pull aside the curtain from his painting, the curtain itself turns out to be a painted illusion. Parrhasius wins, and Zeuxis admits that although he has deceived the birds, Parrhasius has deceived him.

• Kortslutning.

  Om Magnus Wassborgs How to place an interactive sculpture in a model of a house without taking into account that there is a real world out there av Lars-Erik Hjertström Lappalainen

• CARRÉ DE SOI

  L’époque, la mode, la morale, la passion. Aspects de l’art aujourd’hui, 1977-1987

  BY STEPHEN SARRAZIN

  It’s 1987 and it’s odd to imagine that the Centre Georges Pompidou/Mnam was ever only ten years old. For those who can recall the two massive craters which scarred the Paris city center during the seventies, holes to be filled with what would become Les Halles, and Beaubourg, it seems as if it

• The rationally unattainable certainty

  The same year as Germany invaded Poland, Moore held a lecture at the British Academy. The lecture was named ”Proof of an External World” and maybe Ludwig Wittgenstein and John Maynard Keynes were among the listeners and Virginia Woolf and Bertrand Russell too.